Designing Worlds in Sound
"The right sound
doesn't describe a moment.
It creates one."
Electronic soundscapes — the sound of the Gruzzman catalogue.
Dystopia
More soundscapes are on the way — the full catalogue opens soon.
Original Score
Behind-the-scenes documentary by Anna Eret on RP Kahl's cinema adaptation of Peter Weiss's “Die Ermittlung” — a Film Mischwaren and LEONINE Studios production, staging the Frankfurt Auschwitz trial with an ensemble of 60 actors. Broadcast by Bayerischer Rundfunk and streaming in the ARD Mediathek.
Composer & Sound Producer
Short art documentary by Antonina Gotfrid on Ukrainian refugees building a new life in Germany. Screened internationally, accompanied by the exhibition “Place of Peace. Film Laboratory.” Responsible for the film's complete sound, including the original score.
Credited: Composer and Sound Producer — Omari Mshvenieradze
Commissioned scores — written to picture, in the language each film needed.
Making-of: Die Ermittlung
Original score cue • Making-of: Die Ermittlung, 2025
THE ALBATROSS
Soundtrack cue • The Albatross, 2025
Engines
Cinematic, Orchestral
I create music for film, television, games, and advertising — electronic and hybrid soundscapes that blur the lines between genres. My work grows where classical training meets electronic design, where emotion meets architecture, where ideas turn into atmospheres.
For more than 25 years, I've lived inside music: as a composer, pianist, lecturer in music theory and composition, and certified sound engineer. This blend of disciplines lets me shift between intuition and precision — shaping themes at the piano, then refining them into detailed sonic environments, mastered in multiple loudness versions and ready for broadcast, streaming, or the edit.
Today my work has one defining principle: every piece is written by me, without generative AI — composition, arrangement, and sound design. And every piece is licensed exclusively, so the music in your project stays yours. One composer, one name in the chain of title, one person who can answer for every note.
Twelve minutes of questions that prevent most music licensing problems — provenance, licence scope, cue sheet data, and the paperwork you will need later. A practical tool, not an advert.
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